Rémi Chayé’s “Fleur,” Claude Barras’ “You’re Not the 1 I Expected” and Alberto Vázquez’s “Unicorn Wars” are some of the many opportunity standouts at the 24th version of Cartoon Film, Europe’s main animated movie co-manufacturing occasion.
Scheduled to choose put in Bordeaux, France, in excess of March 8-10, the 2022 Cartoon Film lineup characteristics 57 tasks, 15 hail from France, which is 7 less than final calendar year as animation grows in the relaxation of Europe but nevertheless marks its predominance in Europe as a producer of arthouse and crossover animated films.
For the third calendar year working, Spain has the second greatest presence at Cartoon Film with 8 titles, a signal of its create as a substantial animation producer and host of animation functions this kind of as Cartoon Springboard, confirmed past week, Cartoon Company and the Quirino Awards.
“You’re Not the One I Expected” marks the new undertaking from Switzerland’s Claude Barras, the director of the 2017 Academy Award nominated “My Lifetime as a Zucchini.”
Made by Sombrero Films in co-production with Switzerland’s Helium Movies, it is based on Fabien Toulmé’s graphic novel, narrating how the complete world of a father collapses when he discovers his new child daughter Rose has undiagnosed Down syndrome.
A winner of the Annecy Festival’s major Cristal Award for “Calamity Jane,” Rémi Chayé will pitch “Fleur,” a 2D animated aspect for little ones generated by Maybe Films, the business guiding “Calamity Jane” and Arthur de Pins’ “Zombillenium.”
To be offered like Barras’ undertaking in Cartoon Movie’s In Thought, “Fleur” tells the story of a youthful teen in the extremely early 20th century. Singing her way out of Paris slums known as La Zone, she battles “to escape from poverty and crime and get to the glittering lights of Paris nightlife with no betraying herself or her household,” Chayé told Wide variety.
The director is near to finishing a 1st draft screenplay with Sandra Tosello and Fabrice de Costil, “Calamity Jane’s” scribes.
Created by Sombrero Movies in co-output with Switzerland’s Helium Movies, Barras’ challenge is centered on Fabien Toulmé’s graphic novel narrating how a father’s globe collapses when he discovers his newborn daughter Rose carries an undiagnosed down syndrome.
Spain’s Alberto Vázquez, director of “Birdboy: the Forgotten Children” and Annecy Cristal-profitable shorter “Homeless Dwelling,” will offer you a sneak preview of the a lot-awaited and Charades-bought “Unicorn Wars,” a huge canvas animated artwork movie set versus the backdrop of a extended-lasting apocalyptic war among religious bigot teddy bears and ecologist unicorns. Spain’s Ábano and Uniko develop with France’s Autour de Minuit.
With two tasks last yr, Belgium and Norway are every represented by five projects at next year’s Cartoon Motion picture. The Czech Republic provides 3 assignments, up from a single last 12 months. Portugal, Germany, Latvia, Denmark, Poland, Finland and Italy will carry two. Other international locations collaborating in the occasion are Netherlands, Iceland, Greece, Ireland, Luxembourg, Croatia and Hungary.
The lineup of French titles also involves prospective significant draws these kinds of as Phuong Mai Nguyen’s “In Waves,” developed by go-forward French outfit Silex Films (“Stalk”) and Charades, consolidating as a single of the world’s premiere profits agents for animated attributes of significant creative ambition.
Anaïs Caura will current “Eugene,” a noirish thriller pushing gender troubles established in 1920 Australia, made by My Fantasy and 2P2L Group. Also eye-catching among French projects are Ru Kawahata and Max Porter’s “Porcelain Birds,” from Miyu, and Kan Muftic’s “The Migrant” a new YA/grownup focusing on animated aspect venture from “I Shed My Body” producer Xilam Animation.
Spain’s line-up can take in Carlos Fernández and Lorena Ares’s “DinoGames,” a creation of Dr. Platypus & Ms. Wombat, and awaited element debuts this sort of as La Fiesta-produced “A World of Their Possess,” directed by Carmen Córdoba, helmer of acclaimed quick “Roberto” and Isabel Herguera’s “Sultana’s Dream,” from El Gatoverde, Ábano, Uniko and Germany’s Fabian & Fred.
Other potential highlights of Cartoon Film involve Toby Genkel’s “The Incredible Maurice,” from Germany’s Ulysses Filmproduktion Piotr Dumała‘s “America,” produced by Poland’s Fumi Studio Tom Van Gestel’s Belgian title “Juul” Rasmus A. Sivertsen’s “Just Super,” from Norway’s Qvisten Animation) José Miguel Ribeiro’s “Nayola,” set up at Portugal’s Praça Filmes Nuno Beato’s “My Grandfather’s Demons,” from Portugal’s Sardinha em Lata and Veljko and Milivoj Popovic’s “Dreamworld,” from Croatia’s Bonobostudio.
The typical believed price for each animated moment of tasks to be presented at Cartoon Film is $64,929, down from $82,886 in 2020, a most possible indicator of cost competition in a still pandemic-hit environment, as nicely as a reduction in bigger-budget titles. 44 projects have budgets ranging from €2 million to €8 million, just one particular is budgeted about €10 million.
Of picked projects, 21 titles focus on adult audiences. That contrasts with 15 final 12 months, confirming a constructing development around the last number of several years. Family viewers jobs nevertheless symbolize 48% of all tasks offered, having said that.
Beyond the rise in grownup-viewers titles, Cartoon standard director Annick Maes observed enhance in co-productions amongst Nordic nations, primarily Norway and “another awesome shock,” a generation uptick in tales from the Baltic states and nations this sort of as Romania, Croatia and Hungary.
CARTOON Film 2022: THE LINEUP
“Black is Beltza II: Ainhoa,” (Spain)
“Diplodocus,” (Poland, Czech Republic)
“Just Tremendous,” (Norway)
“Mars Convey,” (France)
“Sultana’s Desire,” (Spain, Germany)
“The Awesome Maurice,” (Germany, U.K.)
“Tony, Shelly and the Spirit,” (Czech Republic, Slovakia, Hungary)
“Little Allan – The Human Antenna,” (Denmark)
“Little Caribou,” (Ireland)
“My Father’s Secrets,” (France, Belgium)
“My Grandfathers Demons,” (Portugal, France, Spain)
“Nayola,” (Portugal, Netherlands, Belgium, France)
“Unicorn Wars,” (Spain, France)
“Yuku and the Flower of the Himalayas,” (Belgium, France, Switzerland)
“A Planet of Their Have,” (Spain)
“At the Ark at 8,” (Germany)
“Born Pleased,” (Latvia, Poland, Finland)
“Ellie and the Xmas Creep,” (Luxembourg)
“Flow,” (Latvia, France, Germany)
“In Waves,” (France)
“Juul,” (Belgium, Germany, Netherlands, Spain)
“Living Big,” (Czech Republic Slovakia, France)
“Mary Anning,” (Belgium, Switzerland, France)
“Melvile,” (Belgium, France)
“Niko – Further than the Northern Lights,” (Finland, Germany, Denmark)
“Ploey 2,” (Iceland)
“Porcelain Birds,” (France)
“Rock Bottom,” (Spain)
“Sidi Kaba, and the Gateway,” (France)
“The Migrant,” (France)
“Trip to Teulada,” (France, Italy)
“Valemon: The Polar Bear King,” (Norway)
“Young Vincent,” (Netherlands)
“Darling,” (Belgium, Canada)
“Liva and the Imperfects,” (Denmark)
“Magical Friends,” (Norway)
“My Accurate Imaginary Buddy – Mr.Clutterbuck,” (Finland)
“Odd is an Egg,” (Norway)
“Princesse Reinette,” (France)
“Rosentaal,” (Czech Republic)
“Vast Blue Antarctica,” (Greece)
“Where Did It Go Completely wrong?” (Hungary)
“You’re Not the Just one I Predicted,” (France)