A biker gang overruns Chennai. They smuggle drugs, snatch chains and dedicate contract murders. The metropolis law enforcement are at the finish of their tether. A super cop is rushed in from Madurai to give the criminals a run for their income. That, in a nutshell, is Valimai for you. Does it produce the horsepower it promises? Barely.
An pro biker himself, the no-nonsense crime-buster goes whole throttle at the prison mastermind, a modern day-day Mephistopheles who entices jobless, restless younger males to sell their souls to him and have out his bidding. A generic fight in between excellent vs . evil ensues. The mission cleanse-up normally takes a toll of several life and places the policeman’s skilled competencies and ethical fibre to the test.
Valimai is a massy, splashy motion motion picture starring Ajith Kumar as ACP Arjun Kumar, a policeman who is just about anything but cause happy. He is a reformist at coronary heart and thinks that criminals ought to have a 2nd possibility. He does not shoot at sight. At worst, he breaks a limb or two to prevent young men from indulging in even more mischief.
That is just not the sole differentiator. Valimai, in which Huma Qureshi shares display screen space with the direct actor, has no intimate keep track of. The hero is tasked with a job that is as well essential to permit him any scope of attending to matters of the coronary heart.
The assistant commissioner of police, who possesses the acumen to stay a phase forward of the criminals who hire hello-tech implies to unleash mayhem on the streets of Tamil Nadu’s cash metropolis, precipitates an all-out clash with Naren (Telugu motion picture star Kartikeya Gummakonda in his Tamil debut).
The latter, who statements to have rid himself of all emotional attachments, has raised a felony military of masked bike stuntmen who elude identification and strike all throughout Chennai in wide daylight. He fulfills
his match in ACP Arjun Kumar. When the action sluice-gates are thrown open, Valimai slips into best gear.
Valimai is a best vehicle for the seasoned action star. Author and director H. Vinoth jobs Ajith Kumar’s actual-life motor racing persona on to the significant display screen to fairly superior impact. The movie would have been infinitely extra entertaining had it not been as very long as it is and had opted to skirt around a maudlin sub-plot about a brother long gone astray and a mom reduced to an psychological wreck as a end result.
The brother and the mother in question are both Arjun’s. The guy, wedded to his occupation and loyal to a fault to his spouse and children, has remained one so that his alcoholic elder brother (Achyuth Kumar) and unemployed younger sibling Ashu (Raj Aiyyappa) have no dearth of financial help.
Snazzy cinematography (by Nirav Shah) and eye-popping motion sequences choreographed by Dhilip Subbarayan are the large details of the a few-hour thriller. Sadly, monotony inevitably kicks in at occasions. Though Ajith Kumar followers may possibly not have everything to carp more than, pieces of the bloated movie develop into a bit as well a lot to digest.
Valimai, made by Boney Kapoor’s Bayview Jobs, is Ajith Kumar’s to start with complete-fledged all-India launch. A Hindi dubbed model of the Tamil film has strike screens all across the country. It is a auto that showcases for the 50-year-old star’s action film credentials despite the fact that, as is obvious inside of Valimai itself and in his occupation as entire, there is unquestionably considerably additional to the actor.
His entry scene – the star one-handedly usually takes on an battery of goons in pouring rain and in a sequence that is strategically punctuated with sluggish-movement pictures – sets the phase for the significant-octane heroics that propel the relaxation of the film ahead.
The guide actor and the lousy men inject everyday living into the extraordinary bicycle and motor vehicle stunts that Valimai is replete with. In truth, when the motion is under the highlight and the motorcycles roar and soar (virtually) and plunge (virtually again), it looks that the director has handed about the reins of the film to the stunt coordinator.
The arch-villain, who lords more than a community termed Satan’s Slaves and farms out get the job done to his minions by means of an app, isn’t a fully rounded figure. Worse, his romantic relationship with the lady in his life, Sara (played by
Gurbani Choose, greater recognized as Bani J), is underwritten to the issue that it does not grow to be obvious right up until it is also late that there is a spot for really like in the negative guy’s black coronary heart.
Huma Qureshi, in her next Tamil movie (immediately after the Rajinikanth starrer Kaala), gets a pre-intermission ‘entry’ scene whilst she 1st seems in the story significantly previously. Cast as a narcotics bureau officer functioning alongside the hero, she pulls off the part with aplomb.
Valimai would have been just yet another super-cop motion picture but for the aptitude that H. Vinoth demonstrates in the action established-items. The relaxation is left to Ajith Kumar to salvage. He does what he can but the pounds of the film does place a enormous pressure on him.
Interestingly, this tale of crime and punishment, in contrast to most films of the style, has no politicians at hand for the purpose of underscoring their oft-portrayed nexus with the underworld. But not to stress, among the the senior officers in the law enforcement headquarters are two men who response to the names of Sarkar (G.M. Sundar) and Sasan (Selva), meaning govt and governance. Both of those are crooked to the main and excel in queering the pitch for the ACP as he goes about the job of restoring get in the metropolis – and the people’s faith in the law enforcement power.
As already indicated, what undermines Valimai the most is its insistence on playing up a sentimental subplot that hinges on the hero’s mother (Sumithra). Its flirtations with the mawkish pushes the film into an location of useless preachiness fully to its very own detriment.
Ajith Kumar’s screen presence rescues lots of scenes from sinking into insignificance. Valimai is for supporters of the star and for these that dig protracted stunt sequences. As for the rest of you out there, the movie will at best be a mixed bag: riveting when the bikes strike the highway and the action revs up, and exhausting when the tears of the sorrowful moms whose sons have dropped their way come to be the focal point of the film.